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世上最完美人声典范《The book of secrets》

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发表于 2004-6-18 22:17:58 | 显示全部楼层 |阅读模式
世上最完美人声典范—《The book of secrets》神秘的书


专辑名称:Loreena McKennitt《The book of secrets》神秘的书
出版时间:1997
专辑简介:

  Loreena是一位讲故事的高手,将古诗歌与传统音乐相结合。《神秘的书》将古老的故事与传说用她那如浮在空中的轻羽般轻灵缥缈的声音讲述,伴着迷人的音乐让你的耳朵与心灵共享。

Loreena的每一首音乐都具有令人意想不到的新意,"Highwayman"是一首古老的叙事诗,但只有Loreena天使般的声音能将其演绎得每一次听的时候都有一点意外发现,"Mummer’;s Dance "中美妙的歌辞和动听的声音让你重又发现故事中的艺术魅力。


碟评:
  时间始终在流逝,我们终会老去,爱人终会离去,无论是自己抑或别人,每一次的分别都是痛苦的开始,每一次相聚都是幸福的到来,对于感情,我始终是无法抑制的随处迸发。 非常喜欢此碟,感情的细腻,柔柔的声线,优美而丰富旋律的音乐都会给我们不同的感觉。请原谅我的悲哀,本来此碟应该是一张浪漫柔情似水的情碟,但是收到网友盈盈的信,她怯怯的询问是否可以代她点播一首音乐,献给她的失去的亲人。 茫然间,听到了此碟,好想哭泣,原谅我这个爱哭的男人吧,虽然我无法知道她的喃呢是什么?我只知道自己的思绪随着音乐的流淌而起伏跌宕。 为何悲哀会漫漫的袭上心头,或许也是因为封面的缘故吧,枯黄的背景,仿佛是生死之间的逾越,蓦然回首,她在那里孤立,漠然的眼神让我无助,纤细的身躯让我颤抖,散乱的头发更添加了一丝憔悴。 此碟的分类非常广泛,属于NEW AGE,CELTIC,FOLK,并且融合了意大利语,西班牙语等多种元素。而现代的音乐之所以给人不同的感受和好听享受,就是因为他们会充分的融合不同的元素。 此碟,结合了凯尔特的悠扬,新世纪音乐的绚丽,民族音乐的质朴,揉捏出来了一张极其浓郁的感情色彩的女声吟唱音乐专辑。 特别是,乐者平缓的心态,多年旅游的经历,创造性的添加了诗词风格于其中,更加重了本碟作品的优雅,温和和美丽。 从总体音乐欣赏角度而言,非常类似Jennifer Warnes的THE HUNTER,但是相对感情更加细腻和多变,是在是一张不可多得的欣赏专辑!


罗琳娜·麦肯妮特
LOREENA MCKENNITT

  今年就快45岁的 Loreena ,出生于加拿大缅省草原地区的一个小城镇(Modern),是加拿大著名的爱尔兰竖琴演奏家、键盘手,以及歌手。Loreena 青年时代的梦想是成为一名兽医,并且最终进入Winnipeg 的一所大学就读相关课程。但是在80年,当 Loreena 第一次接触到爱尔兰音乐时,她毅然放弃了学业, 并且在81年搬到了安省的Stratford,加入了那里的莎士比亚艺术节的演出 ,从此开始了在乐坛20余年的音乐生涯。

  Loreena McKennitt的音乐绝大部分为其自己创作,题材大多涉及爱尔兰文化及生活 。 所以 ,如果你是 Celtic音乐的爱好者 , Loreena McKennitt 是个不错的开始。目前, Loreena McKennitt 拥有自己的唱片公司,名为 Quinlan Road (Quinlan Road 是其小时候家门口的那条路)。


曲目:
01 Prologue [序言]

http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/01-Prologue.mp3

02 The Mummers’ Dance [艺者之舞]   
http://www.cnnb.com.cn/download/music/newage/loreena%20mckennitt/02-the%20mummers%27%20dance.mp3
03 Skellig
http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/03-Skellig.mp3
   
04 Marco Polo [马克·波罗]   
http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/04-Marco%20Polo.mp3

05 The Highwayman (McKennitt/Noyes) [强盗]   
http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/05-The%20Highwayman.mp3

06 La Serenissima
http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/06-La%20Serenissima.mp3

07 Night Ride Across the Caucasus [夜骑高加索]   
http://www.cnnb.com.cn/download/music/newage/Loreena%20McKennitt/07-Night%20Ride%20Across%20The%20Caucasus.mp3

08 Dante’s Prayer [但丁的祈祷]
http://www.cnnb.com.cn/download/music/newage/loreena%20mckennitt/08-dante%27s%20prayer.mp3
发表于 2004-6-18 22:19:12 | 显示全部楼层
呵呵~

收了
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 楼主| 发表于 2004-6-18 22:26:09 | 显示全部楼层
[quote:a7a859dbdf="lovewilliam"]呵呵~

收了[/quote]
建议常听,声音真的好极了.
我就是没歌词..唉..
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发表于 2004-6-19 07:19:35 | 显示全部楼层


还是要谢谢jarsondi   
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 楼主| 发表于 2004-6-19 08:36:19 | 显示全部楼层
who能找到歌词???
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发表于 2004-6-19 12:25:22 | 显示全部楼层
建议听一下古乐版 的messiah,加德纳指挥的。那个真是完美的人声。
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 楼主| 发表于 2004-6-19 13:39:05 | 显示全部楼层
[quote:c31c7da4e1="fudaming"]建议听一下古乐版 的messiah,加德纳指挥的。那个真是完美的人声。[/quote]
那有down?
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发表于 2004-6-19 15:22:30 | 显示全部楼层
短歌行好象有,是mp3的,效果比较差,但是仍然听得出味道。一直在找ape的版本,未果。打算过些时候自己买一张。
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 楼主| 发表于 2004-6-19 16:40:07 | 显示全部楼层
[quote:bd9602b0ed="fudaming"]短歌行好象有,是mp3的,效果比较差,但是仍然听得出味道。一直在找ape的版本,未果。打算过些时候自己买一张。[/quote]
这几首歌曲的音质还是可以的. bitrate = 192
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发表于 2004-6-20 09:32:28 | 显示全部楼层
连接有误,应该是
http://vv.east165.net/mp3/bookos/01.mp3
http://vv.east165.net/mp3/bookos/02.mp3
http://vv.east165.net/mp3/bookos/03.mp3
http://vv.east165.net/mp3/bookos/04.mp3
http://vv.east165.net/mp3/bookos/05.mp3
http://vv.east165.net/mp3/bookos/06.mp3
http://vv.east165.net/mp3/bookos/07.mp3
http://vv.east165.net/mp3/bookos/08.mp3
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发表于 2004-6-20 13:49:56 | 显示全部楼层
顶一下 可怜偶的硬盘 :neutral:
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 楼主| 发表于 2004-6-21 08:57:41 | 显示全部楼层
[quote:37035d9f69="atfa"]连接有误,应该是
http://vv.east165.net/mp3/bookos/01.mp3
http://vv.east165.net/mp3/bookos/02.mp3
http://vv.east165.net/mp3/bookos/03.mp3
http://vv.east165.net/mp3/bookos/04.mp3
http://vv.east165.net/mp3/bookos/05.mp3
http://vv.east165.net/mp3/bookos/06.mp3
http://vv.east165.net/mp3/bookos/07.mp3
http://vv.east165.net/mp3/bookos/08.mp3[/quote]
老大,没错,都是可以下滴!
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发表于 2004-8-13 22:13:45 | 显示全部楼层
部分歌词(copy过来的,没有校对)

2.Loreena McKennitt - The mummers’ dance 歌词

When in the springtime of the year
When the trees are crowned with leaves
When the ash and oak, and the birch and yew
Are dressed in ribbons fair

When owls call the breathless moon
In the blue veil of the night
The shadows of the trees appear
Amidst the lantern light

Chorus:
We’ve been rambling all the night
And some time of this day
Now returning back again
We bring a garland gay

Who will go down to those shady groves
And summon the shadows there
And tie a ribbon on those sheltering arms
In the springtime of the year

The songs of birds seem to fill the wood
That when the fiddler plays
All their voices can be heard
Long past their woodland days

Chorus

And so they linked their hands and danced
Round in circles and in rows
And so the journey of the night descends
When all the shades are gone

"A garland gay we bring you here
And at your door we stand
It is a sprout well budded out
The work of our Lord’s hand"

Chorus (2x)


3.Loreena McKennitt - Skellig 歌词

O light the candle, John
The daylight has almost gone
The birds have sung their last
The bells call all to mass
Sit here by my side
For the night is very long
There’s something I must tell
Before I pass along

I joined the brotherhood
My books were all to me
I scribed the words of God
And much of history
Many a year was I
Perched out upon the sea
The waves would wash my tears
The wind, my memory

I’d hear the ocean breathe;
Exhale upon the shore
I knew the tempest’s blood
Its wrath I would endure
And so the years went by
Within my rocky cell
With only a mouse or bird
My friend; I loved them well

And so it came to pass
I’d come here to Romani
And many a year it took
Till I arrived here with thee
On dusty roads I walked
And over mountains high
Through rivers running deep
Beneath the endless sky

Beneath these jasmine flowers
Amidst these cypress trees
I give you now my books
And all their mysteries
Now take the hourglass
And turn it one its head
For when the sands are still
’Tis then you’ll find me dead

O light the candle, John
The daylight has almost gone
The birds have sung their last
The bells call all to mass

5.Loreena McKennitt - The Highwayman 歌词

Part I
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilts a-twinkle, under the jewelled sky.

And over the cobbles he clattered and clashed in the dark inn-yard.
And he tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
The landlord’s red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say:

"One kiss my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
If they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me be the moonlight,
I’ll come to thee by the moonlight, though hell should bar the way."

He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair i’ the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet waves in the moonlight!)
He tugged at his reins in the moonlight, and galloped away to the west.

Part II

He did not come at the dawning. He did not come at noon;
And out of the tawny sunset, before the rise o’ the moon,
When the road was a gypsy’s ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching,
King George’s men came marching, up to the old inn-door.

They said no word to the landlord. They drank his ale instead.
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
Hell at one dark window;
For Bess could see, through the casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the barrel beneath her breast!
"Now, keep good watch!" and they kissed her. She heard the dead man say-
’Look for me by the moonlight;
Watch for me by the moonlight;
I’ll come to thee by the moonlight, though hell should bar the way!’

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.
Up, she stood up to attention, with the muzzle beneath her breast.
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

’Tlot-tlot; tlot-tlot!’ Had they heard it? The horse-hoofs ringing clear;
’Tlot-tlot, tlot-tlot,’ in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still.

’Tlot-tlot,’ in the frosty silence! ’Tlot-tlot,’ in the echoing night!
Nearer he came and nearer. Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; He spurred to the west; he did not know she stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord’s daughter,
The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

And back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat;
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

’Still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, Riding,
A highwayman comes riding, up to the old in-door.

Over the cobbles he clatters and clangs in the dark inn-yard.
And he taps with his whip on the shutters, but all is locked and barred.
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.’


7.Loreena McKennitt - Night ride across the Caucasus

Chorus:
Ride on - Through the night - Ride on
Ride on - Through the night - Ride on

There are visions, there are memories
There are echoes of thundering hooves
There are fires, there is laughter
There’s the sound of a thousand voices

Chorus

In the velvet of the darkness
By the silhouette of silent trees
They are watching, they are waiting
They are witnessing life’s mysteries

Chorus

Cascading stars on the slumbering hills
They are dancing as far as the sea
Riding o’er land, you can feel its gentle hand
Leading on to its destiny

Chorus

Take me with you on this journey
Where the boundaries of time are now tossed
In cathedrals of the forest
In the words of the tongues now lost

Find the answers, ask the questions
Find the roots of an ancient tree
Take me dancing, take me singing
I’ll ride on till the moon meets the sea

Chorus (2x)


8.Loreena McKennitt - Dante’s prayer

When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and the fire

Chorus

Though we share this humble path, alone
How fragile is the heart
Oh give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Chorus

Please remember me
Please remember me, ...
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发表于 2004-8-13 22:17:11 | 显示全部楼层
转载:美国心缘论坛(google搜的^-^)

下面是篇非常不错的摘文可能有助于我们了解,但正如作者说的“聆听是个人的事,好的音乐或者是直达心灵的,每个人都会不同的感受。”

*****摘文****
The Mummer’s Dance(艺者之舞)

??穿着红舞鞋,这舞蹈永不能停下,在所有的白日与黑夜,从每一个春天与秋天,自过去到今天到明日。
??黄色的酢浆草花在荒野上沸腾,风笛穿行,鼓声从未停息,这节奏没有止境。在游吟诗人缓长的吟唱中,长发飞扬,舞步滑移,前一步,后一步,命运从脚下延伸。啊,谁能解释这神圣与荒唐的距离,赞美与呻吟里,火光扑朔迷离,目光起伏于尘埃之间,随着天地之声飞旋,掠过了地狱的火焰,触摸到天堂的羽翼。月神同日神交替乾坤,新发的绿叶还未从眼中凋落,白雪便覆盖了眉目,生同死,足尖踩乱了所有谜面与答案。
??We`ve been rambling all the night and some time of this day
??Now returning back again
??We brigh a garland gay
??从平原到高山,从沼泽到荒漠,穿越黑暗,穿越光明,仿佛逃离,仿佛沉溺,金丝缎带装饰着岁月,青春在裙袂上流淌,原来,还是从终点踏回原点。
??瞬间与永恒,摇摆里,拾取时光之河的波浪,缀上花冠,上一支舞与这一舞间,能否听到花朵开落的声音?
??永不能停止,这是唯一的武器,灵魂只为舞蹈存在。这是艺者之舞,这是你,这是我,这是命运之舞。或者兴致盎然,或者意兴阑珊。

Night Ride Across The Caucasus(夜骑高加索)

??广漠的天地,混沌初开的模样,夜的呼吸,起伏在山峦间。高加索的土地,每一寸都浸满光荣与忧伤。
??薄雾依旧沉默地俯瞰高原,在这沉默里,风、雨,河川、海洋、大地、星辰、月亮、太阳,沉默地见证了谁的悲愤与苦难?传说中,这是普罗米修斯受难之地。
??夜行高加索,我们随着行进跌荡起伏,暗蓝的苍穹怜悯地注视着我们,注视着旅途吸去我们曾扬逸着的活色生香,那些在风中奔跑嘻闹的童年,缀满桅子花香的空气,扰动春日暧阳的慵懒琴音和那热切而苦恼的眼神,最后成为一些抽象的词语,延缓成两端,一头连在逐渐模糊了往事的过去,一头向苍茫漾溢的未来行去。
??月光,象一首悲伤的小提琴曲,演奏在高加索的土地上。
??夜骑高加索,我们裹紧寂寞的羊毛行装,手中绳缰是要拉紧还是放开,是否要询问,日出的方向?谁能点起一盏灯火,谨慎又热烈的温暧不知向何处降临的目光,而夜,张着黑色羽翼,自身后包围。
??夜骑高加索,我们听到逃离时马蹄踏碎的的快感与忧伤,盗火的人犹在回望,谁放弃了永生?而在铁环上,高加索之石在晃动,是什么样的诅咒?谁又做了谁永远的囚徒?

??要请大家原谅我这几近梦呓的零乱文字,听这张专辑的时候我正在看一本关于时间与空间的书,在各民族中,对时间与空间都有相同或不同的解释与传说。北欧神话中,有一棵乾坤树,是宇宙的中心,是空间、时间与生命的源始,枝干与根连接着天、地与地狱--诸神、巨人与死者的领域;而在漂浮的宇宙金蛋里,印度教的神毗湿奴在制造一个新的宇宙之前,会靠在有许多头的无穷时间之蛇的身上体息,宇宙是不断地制造并毁灭着,毗湿奴会从自己的肚脐里长出的莲花里化身为新生命之源婆罗贺摩,打开蛋壳,开始新的再生与毁灭循环;希腊的时间之神克罗洛斯知道他的孩子有一天会把他推翻,就一个一个吃掉自己的孩子,只有宙斯逃脱,并真的篡夺权力,时间是不饶人摧毁人的,除了宙斯,人是无法逃出时间和命运的掌握。于是,音乐的旋律与书中的文字相互拉扯挣扎,让我无所适从神思恍惚。
??还是来说说这两首歌罢,这是加拿大女歌手Loreena McKennitt《The Book Of Secrets》专辑里的两首歌曲,华纳公司出品。Loreena McKennitt是一位优秀的文学主义作者和演唱者,常年游历海外,经历了旅游航海中失去亲人的痛楚,开始改变自己的音乐风格,更加重了凯尔特元素和民族音乐的质朴,把自己的文学内涵融入音乐中,体现出来的音乐优雅而丰富内涵,让人难以忘怀,曾有人这样形容她的词曲与演唱风格--“象一首中世纪的长诗”。《The Book Of Secrets》此碟是为了纪念她的一位在航行中失去的亲密亲人,目的是为了保留一份不愿遗忘的思念和记忆。Loreena的声音富有张力,在激情中我们还可以听到理性的克制,清醒内敛地,从不刻意煸情,却更有感染心灵的力量,夜深人静时,在耳机里沉溺于她的声音,震憾得几乎让人不愿睡去。
??《The Mummer’s Dance》最先吸引我的是风笛,隐约的,延绵在背景里,好象是从记忆里缓缓而来的风。而鼓声接踵而至,各种各样的鼓被统一成一个印象,不徐不缓,不紧不慢,却永不停息,推着人跟随它前进舞蹈。整首曲子由这两种乐器形成主要旋律,而偶尔出现的小提琴与吉它,好象是突然跳出人群中的独舞,又象是灵机一动错出的一个花步。而Loreena的吟唱,把它们织成一个网,将聆听者着笼罩。
??《Night Ride Across The Caucasus》会让人想起盗火者普罗米修斯,这位伊阿佩托斯的儿子用一根茴香秆,伸到阿波罗的太阳车的火焰里点燃,然后带着闪烁的火种回到地上。从而激起了宙斯的愤怒,普罗米修斯被牢固的铁链锁在高加索山的悬岩上,下临可怕的深渊。每天有一只恶鹰去啄食被缚的普罗米修斯的肝脏。肝脏被吃掉多少,很快又恢复原状。这种痛苦的折磨他不得不忍受,直到将来有人自愿为他献身为止。
??直到有一天,赫拉克勒斯为寻找赫斯珀里得斯来到这里。他看到恶鹰在啄食可怜的普罗米修斯的肝脏,便取出弓箭,把恶鹰一箭射落。松开锁链,解放了普罗米修斯,带他离开了山崖。但为了满足宙斯的条件,赫拉克勒斯把半人半马的肯陶洛斯族的喀戎作为替身留在悬崖上。喀戎虽然可以要求永生,但为了解救普罗米修斯,他甘愿献出自己的生命。为了彻底执行宙斯的判决,普罗米修斯必须永远戴一只铁环,环上镶上一块高加索山上的石子。这样,宙斯可以自豪地宣称,他的仇敌仍然被锁在高加索山的悬崖上。
而高加索也从来不是一块平静之地,它西揽黑海和地中海,气通南欧、中欧、北非;东接里海和咸海,横贯中亚腹心;它北托乌拉尔山,深入俄罗斯大地;南镇伊朗、土耳其、叙利亚、伊拉克,雄视中东。而山川秀丽,景色怡人,盛产葡萄酒的格鲁吉亚更被称为上帝胸襟里的土地。高加索区矿产资源极其丰富,自古来就广泛开采金、铜、铁矿,冶金业十分发达。18世纪中期以后,里海巴库和高加索的石油突然喷涌,震惊了全世界,周边民族历来重视高加索,为争夺高加索长年鏖兵不断,发生在不久前的车臣之战就是一例,现在北约的战车缓缓东进,普京也正在加固防御工事。利益永远是战争的原因与动力,也许从普罗米修被缚在这里开始,这片美丽的土地就注定要见证苦难。
??似乎扯得与音乐远了,回过头来说凯尔特(CELTIC)音乐。
??古老的凯尔特族很古老,是欧洲大陆上阿尔卑斯山以北最早兴起的史前民族,公元前四、五世纪是他们的全盛时期,当时整个中、欧洲都是他们的版图。但他们却从未形成一个统一的大帝国,他们分散在具有不同方言的部落中,在欧洲古代文明发展史上具有重要的作用。公元前1世纪末,凯尔特人在欧洲已失去其统治地位,随着罗马的征服,他们逐渐罗马化,但其文化传统却在爱尔兰保存了下来。现在的爱尔兰语就属于凯尔特语族戈伊迪利语支。他们没有文字,知识的传承籍由口口相传,但在星象、宗教、地理与哲学方面已相当成熟,以至于罗马人也常雇用他们做家庭教师。凯尔特族有着深厚的文化涵养,于是在音乐上也有丰富而独特的的表现。
??值得一提是,据说带有各民族风格的《世界音乐》的风行,凯尔特音乐是始作俑者,他的音乐干净而透明,似乎有净化心灵的作用,使人回归自然,思索人类未来要面临的种种问题,他感动了在地球上各个角落的人。受到启发,那些原始自然、没有受到污染的声音如各类民谣,带有原住民宗教色彩的声音与现代表现手法和节奏相结合,受到人们的青睐。当写到这一段时,一首《Sweet lullaby》,带着摇曳如水的鼓声与非洲土著节奏的鼻音进入了我的耳朵,仿佛为这段文字做注解。
??凯尔特音乐(或者说爱尔兰音乐)里有许多名字我们也许都已经听过,如恩雅,如爱尔兰画眉,如神秘园,如Selina,我最喜欢的这位Loreena,他们的作品里有许多曲子都带有凯尔特音乐的风格。还有我们熟悉的电影《勇敢的心》中的音乐,当然还有一首因为被唱得太滥而多少有点腻的《My Heart Will Go On》。
??凯尔特音乐,叙说着这个民族远古的故事与他们不受拘束的性格,他们用音乐阐述与歌颂自己民族的兴衰和沧桑。也许每个民族都会以各种形式表达出自己的声音,所以这世界上的文化才会多姿多彩。那么如此的,我们乘着聆听翅膀,来到这片流淌着风笛,开满着黄色的酢浆草花的古老土地上,一起歌唱,一起摇摆,一起忘却过去与未来,时间与空间。
??最后我要说,请不要受我这篇文字的影响,聆听是个人的事,好的音乐或者是直达心灵的,每个人都会不同的感受。
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发表于 2004-8-14 00:17:22 | 显示全部楼层

听不懂,也看不懂~
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